Richard Perceval Graves Richard Perceval Graves Richard Perceval Graves


AND HIS CIRCLE

Robert Graves at Oxford

     Robert Graves first visited Oxford in 1913 as an eighteen-year-old schoolboy trying for a Classical Scholarship or Exhibition - he was awarded an Exhibition by St. John's - and he last visited Oxford in the summer of 1975 as an old man of 80 for the official opening of a 'Robert Graves room' at his old College. In between times, he had spent part of 1917 in a military hospital in Somerville College; gone up to St. John's immediately after the First World War to read first Classics and then English; and returned in 1961 for a five-year stint as Professor of Poetry. This lecture is a fascinating miscellany of incidents, which also serves as an idiosyncratic introduction to Robert Graves's life and work.

Robert Graves,
Wilfred Owen and Siegfried Sassoon

     In this lecture we hear about that curious series of First World War friendships which involved Robert Graves, Siegfried Sassoon and Wilfred Owen.

 
Robert Graves remains an extraordinary figure in the pantheon of twentieth century literature: briefly attached as a young soldier-poet to Sir Edward Marsh's Georgians, he then blazed a private trail which led him through numerous private and professional dangers to a secure second marriage and ultimate recognition as the greatest love-poet of his day.

Of these lectures, Robert Graves and the White Goddess is the most popular overall, while Robert Graves, Wilfred Owen and Siegfried Sassoon goes down particularly well with VI-form audiences.
 

Robert Graves
and the Menage-a-Trois which Failed

     In this lecture we are introduced to the extraordinary story of the relationship between the poet Robert Graves, his wife Nancy Nicholson, and Laura Riding, the brilliant and seductive American poet who became Robert's muse. The tangled emotional threads are drawn out surely and tastefully, and the story ends up elevating the audience.

												              
					  
					   

Robert Graves and the White Goddess

     This is an entrancing lecture, full of myth and magic. From it we learn not only how Robert Graves came to write The White Goddess (probably his most enduring work), but also about the message which he was trying to convey about what it is to be a romantic poet.
 
Holding an audience with the spoken word

© Richard Graves 2000-2008      Please telephone me on 0117-9724835

Feedback                       Designed by GWS                       Enquiries

Updated 10/9/08